When I turned sixteen I immediately began going to shows and there was this place on Welton St. called The Raven. It went from being a gay bar to an all ages rock club day by day and I found myself there about once a week watching local bands like the The Gamits and Pinhead Circus, I once saw Alkaline Trio there three times in one year. For a long time there was no stage and they were borrowing my friend Max’s PA for the shows. My friends and I would drive straight up Broadway for forty minutes to get there because we didn’t know any better way, inside the car you could hear Strung Out or Swingin’ Utters. We’d talk about the virtues of rock and roll, who was a poser and who wasn’t.
I remember waiting until the day I got my license to ask my first girlfriend out on a date. She worked in a coffee shop in the mall, I worked in a record store, it was destiny. It took a little while for her parents to get used to the idea of her palling off with me to this little shit hole in what was then a pretty shitty neighborhood. I suppose it still is now too though it doesn’t seem as bad. Marisa and I stayed together for a long time. She could never understand my anger and misery, I could never understand why she went to class or generally gave a shit about anything other than the two of us and music. She loved me because I was a bad boy and in a band, I loved her because she was kind and successful to say nothing of her beauty. In short we saw in each other what we wanted to see in ourselves but didn’t think we ever could.
The day after Marisa and I lost our virginity in a tent outside of Granby, CO a little mountain town in the Rocky’s my parents explained what to me was a secret that would change my life forever. My biological father was a rapist, the deed went down on St. Patrick’s Day in 1982 which probably explains the read beard I’ve since grown on my face. The idea was that particular bit of knowledge would help me understand what it was that separated me from my peers. I was obviously more intelligent than most of them very angry and very unmotivated. I remember my old man telling me I was a square trying to fit through a circular whole and it’s something I’ll never forget. It was strange and comforting to hear my father (the real one, not be biological one) acknowledging me in that way.
I slowly started reaching away from hardcore music and found bands I deemed to be more “intelligent.” A chronic elitism that I suppose I still struggle with to a degree though my fuck you Pink Floyd and Grateful Dead salvos feel less and less heartfelt everyday. It was bands like Jawbox and At the Drive-In who began to draw my attention away from the bristling 4/4 hardcore I clung to. Then there was the Clifford Brown and Max Roach album my cousin bought me for Christmas one year that really blew my mind. Brandon was the one who originally got me interested in hardcore music at a very young age. We were close growing up and then he got into playing the drums, started listening to Bad Religion and NOFX and I followed right along so when he was pushing me towards bop it had a pretty big effect on me even if the music was still a little unattainable for me.
I was such an angry kid. Angry at capitalism, angry at the suburbs, christianity, structure, angry at life. I drank a lot, smoked a lot of weed, dropped out of high school and promptly blew the scholarship I was awarded for high GED scores. The whole process left me to a lot of hard thinking. It blew my mind right open and no thought was illegitimate. I suppose I still have a tendency to over think most everything.
Looking back I realize now that Dream Signals in Full Circles was a sanctuary of mine. I used to have a pretty large room in the basement of my parents house and this massive king sized water bed that was one of my uncles. Marisa loved to lay on the bed and look at the little metallic sparkles that lay in my pop corn ceiling. We spent long nights listening to this record talking, making out, wandering around one another’s body. The months following this records release I found myself working a night job at the Denver Post, one of our local newspapers and skipping my classes at ACC, the community college I received a scholarship from. I didn’t even apply for it, they just gave it to me.
On the third day of my Grandfather’s coma I asked the rest of the family to leave the room so I could have a few moments with him. We had been sitting in St. Joseph’s for three long weeks waiting and the cancer had spread through most of his body by now. I had been told that coma victims can often hear what is going on around them even if they don’t respond. I cried, I told him I loved him, that all the music I would ever make in my life would be in his memory. I thanked him for everything he had given me and the family and I walked out of the hospital without a word to anyone else. It was late at night and Marisa was bound to be getting off at the coffee shop and I drove straight there. When she walked out of the store the first thing I said was, “Papa died tonight” and she replied “I know, your Dad just called.”
The situation between myself and my parents was deteriorating fast. I blamed them for catholocism, they blamed me for laziness, neither were willing to confront the other. My parents were so afraid of my mental well being they pretty much let me do whatever I wanted and I took care not to bring drugs or alcohol into their house but that’s about it. Somehow this record became a comfortable place for me to calmly reflect upon all the varying degrees of misery and happiness around me. For a time a built a cocoon out of it and rested, safely watching the world melt around me. The gentle reverb laden guitars, the cushioned keyboards and light percussion all soothed my anger and sorrow. Best of all there were no vocals, the songs were readily about whatever I needed them to be.
I saw them play while on tour for this record at The Raven. There may have been twenty people there. Marisa and I swayed here and there as they played the most relaxing music I’d ever seen performed. The lights were dim and the disco ball spilled out across the room slowly spinning. It was a watershed moment for me, not of a turning point but the ridge I was standing upon. The calm morose texture of Tristeza was just what my pensive mind needed so badly. Later that night I bought a t shirt form their booth with a strange design on the front. I remember wishing aloud to Marisa that they had shirts which actually said Tristeza on them and she looked at me incredulously. It was a classic example of my inability to see what was right there in my face, peering deeply into the obvious and searching for the abstract.
Marisa lives in San Diego now with the man I’m pretty sure she had an affair with before we split after some five or six years. It’s amazing to me how that can be blurred now in my memory. I’ve managed to repair much of my relationship with my parents and I still have the shirt. I think about all of these things and more whenever I wear it or put this record on. Imagine that.

